Docuseries. Scripted. Competition.

Documentaries. Game Shows.

Sarah has hung out with monkey waiters in Japan, sat in the hot seat in a master control room with more camera feeds than NASA Mission Control, interviewed people about their greatest fears and joys, witnessed acts both strange and sublime, talked people through meltdowns right before they won half a million dollars, built a home on the Navajo Reservation, tasked art directors with making bizarre props, directed hours of VO, assembled shows in 24 hours, dreamt about AVID timelines, debated the true meaning of tinny with audio mixers, and lived on craft service snacks and cold coffee. 

Television production is seldom glamorous, but it's never boring.

That's what she loves about it— the endless possibilities.